is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is standing with her back against the wall, held up in front of , her toes touching the floor then lifting, the black sheer thigh-high stockings pulled down and bunched at her ankles, her face turned away from the camera and buried in the man's neck, wearing the black sheer thigh-high stockings in — chest bare, bare from the waist down. is the man with black short straight hair. He is standing in front of the wall, holding her up against it, his body pressed tight to hers, facing her with his back angled away from the camera, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in — bare from the waist down. [SHOT 1] The camera sits to the side and slightly above the two of them, a three-quarter view of the pair against the wall — and are close to the camera, filling the frame from the waist up, their bodies pressed together and angled across the frame rather than toward the lens. stands facing the wall with lifted against it, her legs wrapped around his waist, her back flat to the wallpaper, her arms around his shoulders. They are joined, standing, moving together in a slow rhythm; her toes touch the floor and lift again, the bunched black stockings shifting at her ankles. Daylight from the half-drawn curtain slides along the side of their bodies. Her face stays turned away from the camera, pressed into his neck, and she does not turn her head toward the lens. () is the ONLY one who speaks in this shot, speaking to , her face turned away from the camera and buried in his neck, her voice low and unsteady, close to a laugh: [Korean] …유준 씨, 나 지금. 진짜 이상해져. While she speaks, keeps his mouth closed. She laughs low against his neck, her breath warm on his skin, and her voice comes out muffled and amused: [Korean] 카메라 켜 둘걸. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle from behind or over the shoulder, no mirror, no face turning toward the camera.