<Picture 1> is the location; keep its layout and furnishings, surfaces clear of small objects.
<Picture 2> is <Subject 1> — this exact person; keep the same face and hair. <Picture 3> is <Subject 1>'s clothing sheet. <Picture 4> is <Subject 1>'s underwear sheet.
<Picture 5> is <Subject 2> — this exact person; keep the same face and hair. <Picture 6> is <Subject 2>'s clothing sheet. <Picture 7> is <Subject 2>'s underwear sheet.

<Subject 1> is the woman with dark brown long wavy hair. She is standing bent forward at the desk in front of the monitor, one hand gripping the desk edge, her face turned away from the camera so it is not visible from this angle, wearing the black tailored blazer, ivory silk satin high neck blouse, black high-waist tailored long straight pants pulled down to the knees with her hips and buttocks exposed, black pointed toe stiletto heels, silver bar choker and silver slim watch in <Picture 3>, and the red cherry embroidered cotton panties in <Picture 4>.

<Subject 2> is the man with black short straight hair. He is standing close behind <Subject 1>, pressed against her, thrusting into her from behind, his face turned away from the camera so it is not visible from this angle, wearing the navy suit jacket, white dress shirt, grey necktie, black leather derby shoes and the navy suit pants unzipped and pulled down to the knees in <Picture 6>, and the black boxer briefs pulled down to the knees in <Picture 7>.

[SHOT 1] The camera sits off to the side and slightly above the two of them, a three-quarter view of the desk and the monitor, both of them seen from the side and from above rather than from behind. <Subject 1> is bent forward over the desk with one hand gripping the desk edge, her face turned away from the camera and hidden against her own arm, and <Subject 2> stands pressed close behind her, thrusting into her from behind in a slow steady rhythm, his hands on her shoulders. She brings her other hand up and presses it over her mouth, muffling herself, and her thighs tremble faintly as she holds the position. Her hips angle slightly on her own, adjusting to him, and she does not turn her body toward the camera.

<Subject 1> (<Picture 2>) is the ONLY one who speaks in this shot, speaking to <Subject 2>, breathless and almost tearful, her voice strained and muffled behind her hand: <d>[Korean] …차에서 하자니까. 왜 자꾸. 왜 자꾸 말을 안 들어… 하아…</d> While she speaks, <Subject 2> keeps his mouth closed.

Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no split screen, no third-person over-the-shoulder angle from behind, no mirror.