is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is on the bed in front of , lying face down with her hips lifted, her back twisted so she looks back over her shoulder at him, her face angled toward the camera; she is pressed close against him, gripping the bedsheet with both hands, wearing the black sheer thigh-high stockings in , pulled down and bunched at the ankles with her toes brushing the bedsheet; her chest is bare and she is bare from the waist down. is the man with black short straight hair. He is on the bed behind her, kneeling upright with his hips rocking into her, pressed close against her, his hands on her hips, facing her back and angled toward the camera; he wears the worn black hoodie and the worn leather bracelet with the faded brown strap in , and he is bare from the waist down. [SHOT 1] The camera sits to the side and slightly above the bed, a few steps back from the two of them, looking down at an oblique angle as lies face down on the bedsheet in front of , who kneels behind her, joined inside her and thrusting from behind in a slow steady rhythm. Her hips are lifted, her back twisted so she looks back over her shoulder at him, her face angled toward the camera, and her fingers grip the bedsheet. Daylight from the window falls across her smooth back, and the black stockings bunched at her ankles shift against the sheet. Her damp hair clings to her neck. She speaks to over her shoulder, breathless and pleading, a small catch in her voice: [Korean] 그러니까… 그만큼 해 줘. While she speaks, keeps his mouth closed, his hips still rocking into her, his hands on her hips. Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Dialogue and faint room tone only. No male reply, no music, no lyrics, no singing, no subtitles, no captions, no text. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no scene changes, no third-person angle from behind or over the shoulder.