<Picture 1> is the location; keep its layout and furnishings, surfaces clear of small objects.
<Picture 2> is <Subject 1> — this exact person; keep the same face and hair. <Picture 3> is <Subject 1>'s clothing sheet. <Picture 4> is <Subject 1>'s underwear sheet.
<Picture 5> is <Subject 2> — this exact person; keep the same face and hair. <Picture 6> is <Subject 2>'s clothing sheet. <Picture 7> is <Subject 2>'s underwear sheet.

<Subject 1> is the woman with dark brown long wavy hair. She is standing close in front of <Subject 2>, one hand closed around his shaft, wrist moving slowly, head lifted, her face turned away from the camera so it is not seen from this angle, wearing the tailored blazer, silk satin high neck blouse, high-waist tailored long straight pants and pointed toe stiletto heels in <Picture 3>, with the silver bar choker and silver slim watch, and the embroidered cotton bra and panties in <Picture 4> hidden underneath.

<Subject 2> is the man with black short straight hair. He is standing behind her, inside her, thrusting slowly, his body close against her back, facing the same direction she faces, away from the camera, wearing the navy suit jacket, white dress shirt, grey necktie and black leather derby shoes in <Picture 6>, his navy suit pants and black boxer briefs pulled down to the knees, belt unbuckled.

[SHOT 1] The camera sits off to the side and slightly above the pair, looking down at them from an oblique angle — never from behind or over a shoulder. <Subject 2> stands close behind <Subject 1>, thrusting slowly into her from behind, and the two of them are near the desk in this room, lit by the overhead fluorescent light, the desk surface clear of small objects.

<Subject 1> (<Picture 2>) is the ONLY one who speaks in this shot, speaking to <Subject 2>, her voice breathless and pleading, cracking with each broken phrase: <d>[Korean] 잠깐… 잠깐만, 이건 진짜…  여긴 안 돼, 응? 여긴… 내일, 내일 하자니까…</d> While she speaks, <Subject 2> keeps his mouth closed.

As she speaks, <Subject 2> presses down on her shoulder and bends her toward the desk; her elbows slide forward and her upper body comes down onto the desk, her black tailored pants pulling taut across her hips. She tries to look back over her shoulder, her hand scrambling through the papers on the desk, and as she twists, the viewer's hand pulls her black high-waist tailored long straight pants down to her thighs, taut across the hips. Her waist is already lifted, her knees pushed in between the desk legs, her stiletto heels scraping the floor, and then her back arches like a bow as <Subject 2> pushes slowly into her from behind.

Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle from behind or over the shoulder, no mirror.