<Picture 1> is the location; keep its layout and furnishings, surfaces clear of small objects.
<Picture 2> is <Subject 1> — this exact person; keep the same face and hair. <Picture 3> is <Subject 1>'s clothing sheet.
<Picture 4> is <Subject 2> — this exact person; keep the same face and hair. <Picture 5> is <Subject 2>'s clothing sheet.

<Subject 1> is the woman with dark brown long wavy hair. She is lying face down on the bed in front of <Subject 2>, her hips lifted, her arms folded under her so her cheek rests against the pillow, facing away from the camera, wearing the black sheer thigh-high stockings in <Picture 3>, pulled down and bunched at her ankles with her toes brushing the bedsheet; her chest is bare and she is bare from the waist down.
<Subject 2> is the man with black short straight hair. He is kneeling on the bed behind her with his hands on her hips, thrusting into her from behind, his body close against hers, facing the camera at an oblique angle, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in <Picture 5>; he is bare from the waist down.

[SHOT 1] The camera watches from the side and slightly above the bed, a short distance away, holding both of them in frame: <Subject 1> face down on the sheets with her hips raised and her cheek against the pillow, <Subject 2> kneeling behind her with his hands on her hips, moving into her from behind in a slow steady rhythm. Sunlight from the window falls across her smooth back, and the black stockings bunched at her ankles shift against the bedsheet. Her waist rocks with his hands, her fingers gripping the sheet, damp strands of wavy hair stuck to her sweaty nape. She turns her head back over her shoulder to look at him, still holding the sheet, and speaks.

<Subject 1> (<Picture 2>) is the ONLY one who speaks in this shot, speaking to <Subject 2>, her tone breathless and teasing, a slight smile audible under the strain: <d>[Korean] …이건 진짜, 업무 연장 아니야.</d> While she speaks, <Subject 2> keeps his mouth closed.

[SHOT 2] At 00:02.000, the shot holds the same side-and-slightly-above angle on the bed. <Subject 1> stays face down with her hips lifted, holding his gaze over her shoulder with her lips parted, her fingers still curled in the sheet, while <Subject 2> keeps kneeling behind her with his hands on his hips, moving into her from behind without stopping.

<Subject 1> (<Picture 2>) is the ONLY one who speaks in this shot, speaking to <Subject 2>, her tone softer now, almost asking: <d>[Korean] 그러니까… 그만큼 해 줘.</d> While she speaks, <Subject 2> keeps his mouth closed.

Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak these two lines in order as one flowing thought, with natural breath spacing and one brief hesitation before the second line. Do not repeat, rewrite, add, sing, chant, or narrate the words.

Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality.

Dialogue and faint room tone only. No male reply, no music, no lyrics, no singing, no subtitles, no captions, no text. No text overlays, no watermark, no extra people in the background, no camera shake, no jump cuts, no scene changes.