is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is — this exact person; keep the same face and hair. is 's underwear sheet. is the woman with dark brown long wavy hair. She is lying face down on the desk, her cheek pressed to its surface, her body flat along the desktop and pressed close against ; she faces away from the camera, her face turned sideways along the desk. She wears the black tailored blazer, the ivory silk satin high neck blouse, the black high-waist tailored long straight pants pulled down to the knees, the black pointed toe stiletto heels, the black rectangular metal frame glasses, the silver bar choker and the silver slim watch in , and the red cherry embroidered cotton panties pulled down to the knees in ; she is bare from the waist down. is the man with black short straight hair. He is standing beside the desk, upright, close against , his body angled toward the desk and toward the camera. He wears the navy suit blazer, the white dress shirt and the navy dress pants pulled down to the knees in , and the black briefs pulled down to the knees in ; he is bare from the waist down. [SHOT 1] The camera sits to the side and slightly above the desk, a few steps back, looking down at an oblique angle across the desktop; lies face down on the desk with her cheek against it, her body pressed close to , and stands beside the desk over her, upright and close against her, angled toward the desk and toward the camera. Her hands scramble across the desktop, shoving a loose stack of papers aside, and one hand catches the edge of the desk and grips it. Her cheek stays on the desk, her breath coming in short heaves, and she keeps her face turned away from the camera, never turning her body toward it. stays standing over her, one hand at her waist pressing her down onto the desk, the other at the waistband of her pants, which are pulled down to the knees with the belt still through the loops. The camera holds this side-and-slightly-above angle throughout, framing both of them together. () is the ONLY one who speaks in this shot, speaking to , breathless and urgent, her cheek still on the desk: [Korean] 잠깐, 잠깐만… 불, 불부터… Then, biting her lip, the sound escaping thin and strained: [Korean] … 으, 거기, 거기 안 돼… Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak these two lines in order as one flowing thought, with natural breath spacing and one brief hesitation between them. Do not repeat, rewrite, add, sing, chant, or narrate the words. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. Dialogue and faint room tone only. No music, no lyrics, no singing, no subtitles, no captions, no text. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no scene changes, no split screen.