is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is standing with her back against the wall, held up against it, her legs wrapped around 's waist and her hands gripping his shoulders, her body pressed tight against him, facing him with her side toward the camera, wearing the black sheer thigh-high stockings in , pulled down and bunched at the ankles with her toes brushing the floor; her chest is bare and she is bare from the waist down. is the man with black short straight hair. He is standing in front of the wall holding her up against it, hips pushed up, pressed tight against her, his body angled so his side and shoulder face the camera, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in ; he is bare from the waist down. [SHOT 1] The scene opens in the room, the two of them against the wall in the same position throughout, the half-drawn curtain letting a shaft of daylight run along their pressed-together silhouettes. Her toes touch the floor and lift again, over and over, the black stockings bunched and folded down at her ankles; she is tight around him and his breathing turns rough, sweat-damp waves of her hair pressed flat against the wallpaper. She buries her face in the side of his neck and laughs low against his skin. Then she speaks to him, her voice unsteady, close to his ear: [Korean] …유준 씨, 나 지금. 진짜 이상해져. She keeps her face buried in his neck, her legs still around his waist, and laughs low again, then lifts her mouth just enough to add: [Korean] 카메라 켜 둘걸. () is the ONLY one who speaks in this shot, speaking to , her tone unsteady and teasing, a low laugh audible under the words. While she speaks, keeps his mouth closed. Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak these two lines in order as one flowing thought, with natural breath spacing and one brief hesitation before the second line. Do not repeat, rewrite, add, sing, chant, or narrate the words. Dialogue and faint room tone only. No male reply, no music, no lyrics, no singing, no subtitles, no captions, no text. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no scene changes.