is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is face down on the bed, chest down on the mattress, arms folded under her, fingers gripping the sheet, hips raised and rocking, positioned on the bed at the center beneath , her body close against his, facing away from the camera with her back and the side of her face toward it, wearing the black sheer thigh-high stockings pulled down and bunched at the ankles in , toes brushing the bedsheet, chest bare, bare from the waist down. is the man with black short straight hair. He is kneeling on the bed behind her, hands on her hips, thrusting into her from behind, positioned on the bed behind , his body close against hers, facing toward the camera and slightly down at her back, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in , bare from the waist down. [SHOT 1] The camera sits off to the side of the bed and slightly above it, looking down at an angle at the two of them, both of them close together on the mattress. is face down with her chest on the bed, arms folded under her, fingers gripping the sheet, hips raised and rocking as kneels behind her with his hands on her hips, thrusting into her from behind, the motion continuous through the shot. Sweat dampens the nape of her neck and strands of her wavy hair stick to it. She turns her head back over her shoulder to look at him, still gripping the sheet, her hips still. () is the ONLY one who speaks in this shot, speaking to , her tone breathless and low, half-teasing, half-serious, with a faint unsteady smile audible in her voice: [Korean] …이건 진짜, 업무 연장 아니야. Then, still turned back over her shoulder toward him, her tone softer and more deliberate, almost a request: [Korean] 그러니까… 그만큼 해 줘. While she speaks, keeps his mouth closed. Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak these two lines in order as one flowing thought, with natural breath spacing and one brief hesitation before the second line. Do not repeat, rewrite, add, sing, chant, or narrate the words. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. Dialogue and faint room tone only. No male reply, no music, no lyrics, no singing, no subtitles, no captions, no text. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no scene changes, no split screen, no third-person angle from behind or over the shoulder.