is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is kneeling upright on 's lap on the bed, sitting on him with her hands on his shoulders, her body upright and her hips low, facing the camera at a slight angle so her side and front are both visible, wearing the black sheer thigh-high stockings in , pulled down and bunched at the ankles with her toes brushing the bedsheet; her chest is bare and she is bare from the waist down. is the man with black short straight hair. He is lying on his back on the bed under her, his hands at her hips, his body flat along the mattress and his head toward the far side of the frame, facing up and slightly toward the camera, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in ; he is bare from the waist down. [SHOT 1] The camera holds a three-quarter side view from slightly above, close to the bed, both of them in frame and neither of them turning toward the lens. is kneeling upright on 's lap, riding him — she rocks her hips slowly front and back, her weight settling down onto him, and she brings both hands up to the back of his neck, her arms closing around it. stays on his back under her, his hands at her hips, his mouth closed and his eyes on her face. The daylight from the window runs along the side of both bodies; the stockings bunched at her ankles push and fold against the bedsheet. [SHOT 2] At 00:02.000, the shot cuts to a closer three-quarter view from the side, still from slightly above, framing her from the waist up and his shoulders below her. keeps rocking her hips front and back, arms around his neck, and speaks to , turning her head toward him, her tone breathless and a little overwhelmed, with a small unsteady laugh under the words: [Korean] 하아… 이건 좀, 깊어. 유준 씨 어깨 잡아도 돼요? While she speaks, keeps his mouth closed and only watches her. Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak the line as one flowing thought, with natural breath spacing and one brief hesitation. Do not repeat, rewrite, add, sing, chant, or narrate the words. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. Dialogue and faint room tone only. No male reply, no music, no lyrics, no singing, no subtitles, no captions, no text. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no split screen, no scene changes, no third-person angle from behind or over the shoulder, no mirror.