is the location (this room); keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is — this exact person; keep the same face and hair. is 's clothing sheet. is the woman with dark brown long wavy hair. She is lying on her side on the bed at the center of the frame, in front of , her body turned so her back is toward him and her face is angled away from the camera, one leg lifted and resting over his hip, holding his forearm with tensed fingertips, her head tipped back against his shoulder, wearing the black sheer thigh-high stockings in , pulled down and bunched at the ankles with her toes brushing the bedsheet; her chest is bare and she is bare from the waist down. is the man with black short straight hair. He is lying on the bed behind , pressed close against her back, his arm wrapped around her with his chin at her nape, facing the same direction as her and angled away from the camera, wearing the worn black hoodie and the worn leather bracelet with the faded brown strap in ; he is bare from the waist down. [SHOT 1] The camera sits off to the side and slightly above the bed, looking down at the two of them from a diagonal angle, both bodies lying on their sides with behind . They are being penetrated from behind, his hips pressed against her, her lifted leg over his hip, and the motion continues through the whole shot without stopping. [SHOT 2] () is the ONLY one who speaks in this shot, speaking to and turning toward him, her voice low and unsteady, almost whispered, with a faint tremble of held breath: [Korean] …이건 진짜, 아무한테도 안 말할게요. While she speaks, keeps his mouth closed. Her eyes stay closed and her fingertips press harder into his forearm. [SHOT 3] () is the ONLY one who speaks in this shot, speaking to and turning toward him, her tone softer and more resigned, barely above a breath: [Korean] 그냥 오늘만, 우리 둘만. While she speaks, keeps his mouth closed. She clutches his forearm tight and buries her cheek in his shoulder. Match visible mouth motion to each spoken phrase, then let the mouth rest naturally between phrases. Speak these two lines in order as one flowing thought, with natural breath spacing and one brief hesitation. Do not repeat, rewrite, add, sing, chant, or narrate the words. Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no music, no lyrics, no singing, no male reply.