is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair. She is bent forward over the desk, her upper body pressed down onto its surface, her face turned away from the camera so it is not visible from this position, wearing the black tailored blazer, ivory silk satin high neck blouse, black high-waist tailored long straight pants, black pointed toe stiletto heels, black rectangular metal frame glasses angular shape, silver bar choker under collarbone and silver slim watch wristwatch in , her hands braced against the desk edge and scattered papers. The viewer, a man, is standing half a step behind her, his hands on her waist, pressing her down onto the desk — this is happening now and continues through the shot. Only his hands and forearms enter the frame at its edges; his face, head, torso and hips are never in frame. [SHOT 1] The camera is the viewer's own point of view, positioned at his eye height, half a step behind her, facing her back and the back of her head. She is bent over the desk directly ahead, her back to the camera, the desk edge and scattered papers in frame. His hands rest on her waist at the frame's edges, over the black tailored blazer and the black high-waist tailored long straight pants. The camera moves only as much as the viewer's head moves — a slight tilt and a small lean forward. [SHOT 2] His hands pull the black high-waist tailored long straight pants down over her hips, belt and all, to her knees, uncovering the red cherry embroidered cotton panties in . Her hands scramble across the desk, pushing the scattered papers aside and gripping the desk edge. The camera stays at the viewer's eye height behind her, tilting slightly with his head. () is the ONLY one who speaks in this shot, speaking with her cheek against the desk, breathless and gasping, her face turned away from the camera: [Korean] 잠깐, 잠깐만… 불, 불부터… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle, no over-the-shoulder view, no mirror.