is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair. She is bent forward over the desk, her cheek flat on the desk surface, her hips at the desk edge and her legs behind her, facing away from the camera so her face is turned away and not visible from this camera position, wearing the black tailored blazer, ivory silk satin high neck blouse, black high-waist tailored long straight pants pulled down to the knees, black pointed toe stiletto heels, black rectangular metal frame glasses, silver bar choker and silver slim watch in , and the red cherry embroidered cotton bra and the red cherry embroidered cotton panties pulled down to the knees in , bare from the waist down. The viewer, a man, is behind her, pressing her down onto the desk, his torso close behind her back. His face, head, torso and hips are never in frame — the camera is at his eyes. Only his arm and hand at her waist enter the frame edge, in the navy suit blazer sleeve of his own clothing. Camera: this is the viewer's own point of view, seen from his two eyes. His eyes are standing at half a step behind her, at her back and the back of her head, looking down over her shoulder. She is right in front of him, close, her back and the back of her head toward him, her cheek flat on the desk surface. The camera moves only as much as the viewer's head actually moves — a slight tilt down and a small lean in, no separate push toward her face, no cut to a close-up. [SHOT 1] The viewer presses her down onto the desk, his hand flat at her waist, and her pants and belt slide down to her knees as she goes down. Her hands scramble across the desk, shoving a stack of papers aside, and grab the desk edge. [SHOT 2] Her cheek stays flat on the desk surface, her lips moving against the wood, her glasses pressed askew against the desk, her breath short and unsteady. () is the ONLY one who speaks in this shot, her face turned away from the camera, cheek flat on the desk, speaking with short unsteady breaths, pleading and flustered: [Korean] 잠깐, 잠깐만… 불, 불부터… () is the ONLY one who speaks in this shot, her face turned away from the camera, cheek flat on the desk, speaking through clenched teeth in a thin leaking voice, strained and resisting: [Korean] … 으, 거기, 거기 안 돼… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people, no camera shake, no jump cuts, no split screen, no scene changes.