is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair. She is bent forward over the desk, her cheek pressed flat against its surface, her hips lifted and held up behind her, her back to the camera, wearing the black tailored blazer, ivory silk satin high neck blouse, black high-waist tailored long straight pants pulled down to the knees, black pointed toe stiletto heels, black rectangular metal frame glasses angular shape, silver bar choker under collarbone and silver slim watch wristwatch in , and the red cherry embroidered cotton bra and red cherry embroidered cotton panties pulled down to the knees in — bare from the waist down. The camera is the viewer's own point of view — the viewer, a man, standing right behind her at his own eye height, close against her, looking at her back and the back of her head. She is directly in front of the viewer, facing away, her back and the back of her head toward the camera. The camera moves only as much as the viewer's head actually moves — a slight tilt and a small lean in, keeping the same close distance behind her, never pushing in toward her face and never changing to a close-up. [SHOT 1] The viewer's hands press down on her waist, holding her bent forward over the desk, and the viewer's hips are pressed against her from behind, slowly inserting from behind, the motion still going on. Her hands scramble across the desk, shoving a stack of papers aside, and grip the edge of the desk. [SHOT 2] Her cheek stays pressed to the desk, her breath hitching between clenched teeth, her mouth moving as she speaks, her face turned away from the camera. () is the ONLY one who speaks in this shot, her face turned away from the camera as she speaks: [Korean] 잠깐, 잠깐만… 불, 불부터… [SHOT 3] Her teeth clench and a thin sound escapes her throat, her mouth moving as she speaks, her face still turned away from the camera. () is the ONLY one who speaks in this shot, her face turned away from the camera as she speaks: [Korean] … 으, 거기, 거기 안 돼… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. Her tone is breathless and urgent, a strained whisper through clenched teeth, the second line tighter and more pleading than the first. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle, no over-the-shoulder view, no mirror.