is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair. She is bent forward over the desk, her cheek pressed flat to the desk surface, her hips lifted and held up behind her, her back to the camera, wearing the black tailored blazer, the ivory silk satin high neck blouse, the black high-waist tailored long straight pants pulled down to her knees, the black pointed toe stiletto heels, the black rectangular metal frame glasses, the silver bar choker and the silver slim watch in , the red cherry embroidered cotton bra in , and the red cherry embroidered cotton panties pulled down to her knees in — bare from the waist down. This is a first-person POV shot from the viewer's own eyes — the viewer, a man, standing close behind , his eye level at her back and the back of her head, her body directly in front of him and facing away from him, her back and the back of her head toward the camera. The camera moves only as the viewer's head moves: a slight tilt and a small lean in, no separate push toward her face and no cut to a close-up. The viewer's face, head, torso and hips are never in frame — the camera is where he is. Only his hands and thighs enter the frame at the edges, where they touch her. [SHOT 1] is bent over the desk with her cheek pressed to the surface, her hips lifted, and the viewer is slowly penetrating her from behind, his hands on her waist, his thighs against the backs of her thighs, the navy dress pants pulled down to his knees at the edge of the frame. Her fingers push a scatter of papers aside and grip the edge of the desk. Her tone is breathless and urgent, her voice coming from off-screen as her face is not toward the camera: [Korean] 잠깐, 잠깐만… 불, 불부터… [SHOT 2] Still bent over the desk with her cheek against the surface, clenches her teeth, her fingers tightening on the desk edge, the viewer still slowly penetrating her from behind, his hands holding her waist, his thighs against the backs of her thighs at the edge of the frame. Her tone is strained and muffled, her voice coming from off-screen: [Korean] … 으, 거기, 거기 안 돼… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people, no camera shake, no jump cuts, no scene changes.