is the location; keep its layout and furnishings, surfaces clear of small objects. is — this exact person; keep the same face and hair. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair. She is bent forward over the desk, cheek pressed sideways against its surface, hips lifted and held close against the viewer, wearing a black tailored blazer, an ivory silk satin high neck blouse, black high-waist tailored long straight pants pulled down to the knees, black pointed toe stiletto heels, black rectangular metal frame glasses, a silver bar choker under her collarbone and a silver slim watch on her wrist; her red cherry embroidered cotton panties are pulled down to the knees and she is bare from the waist down. The viewer, a man, is standing right behind her, pressed close against her, slowly penetrating her from behind, and this is still in progress; only the edge of his hand on her waist and the edge of his thigh against her are in frame, and only the clothing on those parts is seen. The camera is the viewer's own point of view, from his two eyes just behind and above her shoulder line, close on her face turned sideways against the desk surface, her breath hitching, his body filling the frame behind her. She is right in front of the viewer, turned away, showing the back of her head and her back to the camera. The camera only moves as much as the viewer's head moves — a slight tilt and a small lean in — and never pushes in on her face on its own or ends on a close-up. () speaks, her voice strained and breathless, pleading: [Korean] 잠깐, 잠깐만… 불, 불부터… Then () speaks again, teeth clenched, the sound escaping her: [Korean] … 으, 거기, 거기 안 돼… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle, no over-the-shoulder shot, no mirror.