is the location; keep its layout and furnishings, surfaces clear of small objects. is — use it only for identity: face, hair and overall appearance; not for camera angle or starting pose. is 's clothing sheet. is 's underwear sheet. is the woman with dark brown long wavy hair, wearing a black tailored blazer, an ivory silk satin high neck blouse, black high-waist tailored long straight pants, black pointed toe stiletto heels, black rectangular metal frame glasses with an angular shape, a silver bar choker under the collarbone, and a silver slim wristwatch. This is a first-person POV shot seen through the eyes of the viewer, a man. The camera is his own two eyes; there is no third-person angle, no over-the-shoulder position, and no other vantage point. The viewer's face, head, torso and hips are never in frame. Only the parts of him that touch her appear at the edges of the frame: his hands pressing down on her lower back, his thighs and knees behind her hips, his pelvis against her from behind, his cock inside her. OPENING (0-1.5s): The viewer's two eyes look down and slightly forward at from behind and a little above her. She is bent face-down over the desk in front of him, her cheek flat on the desk surface, her hips lifted and pulled back toward him, her back arched. The viewer's hands press her lower back down onto the desk. He is slowly inserting into her from behind, the motion already underway, unhurried and continuous. Her hand scrambles across the scattered papers, pushing them aside, and grips the desk edge. MIDDLE (1.5-3s): The viewer's head stays where it is, only a slight tilt and a small rhythmic shift with his own movement. stays bent over the desk, cheek down, hips up, her fingers tight on the desk edge, papers bunched under her hand. The slow insertion continues at the same unhurried pace, his hands keeping her lower back pressed down. CLOSING (3-4s): The same view from the viewer's eyes, a little closer to her back as his head dips slightly with the rhythm. remains face-down on the desk, hips lifted, her hand still gripping the desk edge, breath uneven. The slow motion from behind continues to the end of the clip. () is the ONLY one who speaks in this shot, speaking with her cheek against the desk, breathless and flustered, her voice small and urgent: [Korean] 잠깐, 잠깐만… 불, 불부터… Subtle early reflections from nearby walls. The dialogue is naturally embedded in the environment rather than sounding close-miked or studio-recorded. Soft environmental ambience continuously fills the space. Very subtle natural reverberation. No artificial narration quality. No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts, no third-person angle, no over-the-shoulder view, no mirror, no shot of the viewer's own face or body.