Product reference sheet, wide horizontal composition, TWO separate panels side by side. The panels appear strictly in this order from left to right — panel 1: a headless dress form that ends at the neck, dressed, seen from the front. panel 2: the same headless dress form seen from the back. PANEL 1 (left): a FULL-BODY headless female-shaped dress form — a tailor's display form with torso, arms and legs as one plain sanded matte pale ivory blank shell — wearing ONLY silver metallic cropped hoodie, drawstring hood, long sleeves; black high-waist pleated tennis skirt, standing FULL LENGTH from the neck cut down to the feet, FRONT view: the garments are the subject of this panel and every piece named is present and visible on the front, the entire hem and full length in frame. The form's neck simply stops in a flat cut with only plain empty backdrop above it, and its legs and feet stay bare pale ivory form surface with nothing on them. PANEL 2 (right): the SAME FULL-BODY headless female-shaped dress form wearing silver metallic cropped hoodie, drawstring hood, long sleeves; black high-waist pleated tennis skirt, BACK view at the same scale and the same full-length framing, turned around: every piece named is present again and visible from behind, each in exactly the same fabric, colour, cut and trim as in panel 1 — each garment's own rear cut, and however that garment actually fastens or opens at the back, exactly as that garment is described and with nothing added that it does not have. The neck stops at the same flat cut with plain empty backdrop above it, and the legs and feet stay bare pale ivory form surface with nothing on them. Clean pale seamless studio backdrop, soft even studio lighting, gentle contact shadow, crisp fabric texture, sharp jewellery detail, each dress form is headless and stops at a flat neck cut with plain empty backdrop above it, no people, no human face, no hangers, no text. Two clearly separated panels side by side with a wide empty gap between them, each figure fully inside its own panel, the two figures are barefoot and wear no leg coverings, filling the frame with no empty margins, photorealistic, sharp product detail.