Product reference sheet, wide horizontal composition, THREE separate panels side by side in a fixed left-to-right order. Each panel shows only what its own line below describes, and nothing else — a panel described as empty stays empty backdrop. PANEL 1 (left): a pair of standalone matte pale ivory male-shaped mannequin LEGS — from a clean flat cut at mid-thigh down to the feet only, the pale ivory leg surface bare and uncovered from that cut down to the shoe line, wearing white Nike Pegasus running shoes, black swoosh, mesh upper, low heel; black Nike crew socks, small white swoosh so both the leg garments and the shoes are fully visible, front three-quarter view. The panel starts at that flat thigh cut and everything above the cut is plain empty backdrop, so the legs and their footwear are the only objects in this panel. PANEL 2 (middle): an empty stretch of the plain pale studio sweep, photographed bare — this panel is a picture of the backdrop itself, clean and unoccupied from edge to edge, the same empty sweep that fills the gaps between the other panels. PANEL 3 (right): black running watch, digital watch, thick rubber band — each piece may be named together with the place on the body where it would normally be worn, but that is only part of its name and no part of the body appears here: this panel is a flat lay product photograph seen from directly overhead of those pieces alone on the plain backdrop, every piece resting loose and slack the way small accessories rest on a table, each shown as the kind of object it actually is and settling into whatever shape that object naturally takes when it is put down, at its own true small scale against the wide backdrop. This panel is a still life of these loose small objects lying on the backdrop and nothing else. Clean pale seamless studio backdrop, soft even studio lighting, gentle contact shadow, crisp fabric texture, sharp hardware and zip detail, no people, no human face, no mannequin head features, no hangers, no text. Three clearly separated panels side by side with wide empty gaps between them, each subject fully inside its own panel and never crossing into a neighbouring panel, evenly spaced, filling the frame with no empty margins, photorealistic, sharp product detail.