[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants in <Picture 6>, with the white cotton bralette scattered with small embroidered red cherries in <Picture 7>.

Each person keeps the same face, hair and outfit whenever they appear.
dim office light, warm and low

[Shot 1] framing=close-up on the face camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s fingertips grip <Subject 1>'s shoulders, pulling him closer, her voice pleading as she looks toward the camera. <Subject 2> is right in front of the camera, near the desk, pressed close. <Subject 2> (S2) says: <d>[Korean] ...아...! 너, 정말... 이러다가, 누가... 문, 제발, 잠갔지? 지금이라도 확인하고 와...</d>
[Shot 2] At 00:03.750, framing=bust shot, chest up camera=locked. <Subject 2> lets out a suppressed moan she had been holding in, pressing her forehead against the camera. <Subject 2> is right in front of the camera, near the desk, pressed close.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.