[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants and the light blue chambray shirt in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
dim office light with most fixtures turned off

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hands rest on <Subject 2>'s shoulders from behind, gently kneading them. <Subject 2> is between her desk and the office door, a few steps away, facing the camera. <Subject 1> (S1) says: <d>[Korean] 하루 종일 모니터만 보셨잖아요. 잠깐만 이렇게 있어요.</d>
[Shot 2] At 00:03.750, framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 2> stiffens as <Subject 1>'s hands touch her shoulders. <Subject 2> is between her desk and the office door, a few steps away, facing the camera.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.