[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants and the light blue chambray shirt in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
dim office light at the end of the workday

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hand reaches out and brushes a strand of hair off <Subject 2>'s shoulder. <Subject 2> is beside <Subject 1>, having risen from her seat, facing the camera. <Subject 1> (S1) says: <d>[Korean] 다들 갔네요. 실장님도 이제 가셔야죠.</d>
[Shot 2] At 00:02.333, framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 2>'s shoulder flinches as <Subject 1>'s hand brushes past her hair. <Subject 2> is beside <Subject 1>, having risen from her seat, facing the camera.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.