[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the woman with light brown wavy hair in <Picture 2>, wearing the skinny pants and the light blue chambray shirt in <Picture 3>.
dim warm lamplight

[Shot 1] framing=close-up on the face camera=locked. <Subject 1> speaks softly, her voice trembling, her face turned toward the camera. <Subject 1> is close before the camera, facing it. <Subject 1> (S1) says: <d>[Korean] ...나도, 보내기 싫어. 그래서... 내 차로 가자. 여기선 안 돼. 제발.</d>
[Shot 2] At 00:03.750, framing=bust shot, chest up camera=locked. <Subject 1> eases back from the embrace, holding up her car keys and blinking, her ears turning pink, her expression shy. <Subject 1> is close before the camera, facing it.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.