[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
dim warm office lamplight

[Shot 1] framing=close-up on the face camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2> gasps for breath and collapses against <Subject 1>'s chest, breathing out hot air. <Subject 2> is on the sofa, facing the camera. <Subject 2> (S2) says: <d>[Korean] ...이건, 업무 스트레스, 풀이니까...</d>
[Shot 2] At 00:02.333, framing=bust shot, chest up camera=locked. <Subject 2> steadies herself and sweeps back her disheveled wavy hair. <Subject 2> is on the sofa, facing the camera. <Subject 2> (S2) says: <d>[Korean] 오늘, 일, 고생했어... 라고, 해줄게...</d>
[Shot 3] At 00:04.667, framing=medium close-up, waist up camera=locked. <Subject 2> rises from her seat and straightens her rumpled shirt, averting her eyes shyly toward the camera. <Subject 2> is on the sofa, facing the camera.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.