[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the man with black short pixie-cut hair in <Picture 2>, wearing the navy and the white in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
dim warm office lamplight

[Shot 1] framing=bust shot, chest up camera=locked. <Subject 2> and <Subject 1> face each other in profile, a hand's width apart, their faces and shoulders filling the frame, as <Subject 2>'s body trembles violently and stops moving as <Subject 1> pushes her waist up from below. <Subject 2> is on the sofa, facing <Subject 1>.
[Shot 2] At 00:02.333, framing=bust shot, chest up camera=locked. <Subject 2> and <Subject 1> face each other in profile, a hand's width apart, their faces and shoulders filling the frame, as <Subject 2> buries her face against <Subject 1>'s neck, stifling short broken gasps as her whole body shudders. <Subject 2> is on the sofa, facing <Subject 1>. <Subject 2> (S2) says: <d>[Korean] ...같이, 가...</d>

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.