[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
bright office light

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hand presses deeper, pinning <Subject 2>'s wrist down onto the desk. <Subject 2> is on the central desk, facing the camera.
[Shot 2] At 00:02.333, framing=close-up on the face camera=locked. <Subject 2> lets out a short hot gasp, her body trembling as she looks up toward the camera. <Subject 2> is on the central desk, facing the camera. <Subject 2> (S2) says: <d>[Korean] 나, 내일, 너한테, 어떻게, 일 시키는데... 하아...!</d>
[Shot 3] At 00:04.667, framing=bust shot, chest up camera=locked. <Subject 2> pulls the camera's neck into an embrace, pressing her face close, her lips right beside the lens, out of focus at the frame edge. <Subject 2> is on the central desk, facing the camera.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.