[Reference images] is the location; keep its layout and furnishings, with all surfaces clear of small objects. is the man with black short pixie-cut hair in , wearing the navy and the white in . is the woman with light brown wavy hair in , wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in . Each person keeps the same face, hair and outfit whenever they appear. bright office fluorescent light [Shot 1] framing=bust shot, chest up camera=locked. and face each other in profile, a hand's width apart, their faces and shoulders filling the frame, as 's legs, which had been closing in refusal, slowly part again as 's mouth nears her underwear. is at the edge of the central desk, seated, facing . [Shot 2] At 00:02.333, framing=bust shot, chest up camera=locked. and face each other in profile, a hand's width apart, their faces and shoulders filling the frame, as grabs 's hair and swallows back a stifled moan, looking down toward one side. is at the edge of the central desk, seated, facing . (S2) says: [Korean] ...너, 거기, 안 돼...! [Shot 3] At 00:04.667, framing=bust shot, chest up camera=locked. and face each other in profile, a hand's width apart, their faces and shoulders filling the frame, as 's voice trembles as her fingertips pull 's head deeper. is at the edge of the central desk, seated, facing . (S2) says: [Korean] 그, 그런 건... 나, 못... 하아...! No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts. The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.