[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the woman with light brown wavy hair in <Picture 2>, wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in <Picture 3>.
bright office light

[Shot 1] framing=close-up on the face camera=locked. <Subject 1> presses her hot breath against the camera's ear, almost sobbing as she pleads. <Subject 1> is close before the camera, facing it. <Subject 1> (S1) says: <d>[Korean] ...그만, 그만 물어뜯지 말고... 제발, 나... 더는, 참을 수가 없어...</d>
[Shot 2] At 00:03.042, framing=bust shot, chest up camera=locked. <Subject 1>'s gaze flickers once toward the locked door across the office, then returns to the camera. This shot shows the location in <Picture 1>, with no one in frame.
[Shot 3] At 00:04.667, framing=close-up on the face camera=locked. <Subject 1> pleads softly against the camera's ear, her hand still fumbling at the belt. <Subject 1> is close before the camera, facing it. <Subject 1> (S1) says: <d>[Korean] 네가, 원하는 대로... 해.</d>

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.