[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the skinny pants, the light blue chambray shirt and the white cotton bralette scattered with small embroidered red cherries in <Picture 6>.

Each person keeps the same face, hair and outfit whenever they appear.
dim warm lamplight

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 1>'s hand reaches toward <Subject 2>'s knee, sliding up along her thigh. <Subject 2> is on the desk in front of the camera, facing it. <Subject 1> (S1) says: <d>[Korean] 다리 좀 벌려 봐요.</d>
[Shot 2] At 00:02.333, framing=close-up on the face camera=locked. <Subject 2> flinches, her body trembling at the sound of the zipper, looking down toward the camera. <Subject 2> is on the desk in front of the camera, facing it. <Subject 2> (S2) says: <d>[Korean] ...너, 정말, 여기서...</d>
[Shot 3] At 00:04.667, framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 1>'s hand pulls <Subject 2>'s slacks down off her hips. <Subject 2> is on the desk in front of the camera, facing it.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.