[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the navy slacks in <Picture 6>, with the white cotton bralette scattered with small embroidered red cherries in <Picture 7>.

Each person keeps the same face and hair throughout.
dim warm lamplight

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hand cups over <Subject 2>'s breast over the bralette. <Subject 2> is at her desk, facing the camera.
[Shot 2] At 00:02.333, framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 2> swallows a breath and places her own hand over <Subject 1>'s hand. <Subject 2> is at her desk, facing the camera.
[Shot 3] At 00:04.667, framing=close-up on the face camera=locked. <Subject 2> averts her eyes, her shoulders tensing as she speaks. <Subject 2> is at her desk, facing the camera. <Subject 2> (S2) says: <d>[Korean] …하, 진짜… 살살.</d>

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.