[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the white dress shirt and the navy slacks in <Picture 6>.

Each person keeps the same face and hair throughout.
bright office light

[Shot 1] framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hands reach toward <Subject 2>'s collar, fingers working the buttons open. <Subject 2> is at her desk, facing the camera. <Subject 1> (S1) says: <d>[Korean] 실장님 차례예요.</d>
[Shot 2] At 00:02.333, framing=close-up on the face camera=locked. <Subject 2> looks down, biting her lip, her shoulders tensing as she averts her eyes from the camera. <Subject 2> is at her desk, facing the camera. <Subject 2> (S2) says: <d>[Korean] …천천히 해.</d>
[Shot 3] At 00:04.667, framing=medium close-up, waist up camera=locked. <Subject 2> lowers her arms and lets the white dress shirt drop to the floor, now in the white cotton bralette scattered with small embroidered red cherries and navy slacks, revealing the white cotton bralette scattered with small embroidered red cherries in <Picture 7>. <Subject 2> is at her desk, facing the camera.

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.