[Reference images]
<Picture 1> is the location; keep its layout and furnishings, with all surfaces clear of small objects.

<Subject 1> is the camera in this clip — only his hand and forearm appear in frame, in the sleeve of the outfit in <Picture 3>.
<Subject 2> is the woman with light brown wavy hair in <Picture 5>, wearing the white dress shirt and the black pointed toe pumps in <Picture 6>, with the matching cotton briefs with cherry motifs in <Picture 7>.

Each person keeps the same face and hair throughout.
bright office light

[Shot 1] framing=medium close-up, waist up camera=locked. <Subject 2> sits on the edge of her desk in the cherry-embroidered bralette and briefs, folding the white dress shirt and setting it on top of the navy slacks, looking down shyly, revealing the white cotton bralette scattered with small embroidered red cherries in <Picture 7>. <Subject 2> is on the edge of her desk, facing the camera.
[Shot 2] At 00:01.625, framing=bust shot, chest up camera=locked (POV shot from <Subject 1>'s viewpoint). <Subject 2>'s face and shoulders fill the frame as <Subject 1>'s hand reaches toward <Subject 2>, an arm's length from the camera. <Subject 2> is on the edge of her desk, facing the camera. <Subject 1> (S1) says: <d>[Korean] 셔츠도 벗어봐요.</d>
[Shot 3] At 00:03.958, framing=close-up on the face camera=locked. <Subject 2> averts her eyes, biting her lip, shoulders tensing as she looks up toward the camera. <Subject 2> is on the edge of her desk, facing the camera. <Subject 2> (S2) says: <d>[Korean] …진짜 이래도 돼?</d>

No text overlays, no subtitles, no watermark, no extra people in the background, no camera shake, no jump cuts.
The soundtrack is the room itself and nothing else: the low steady hum of fluorescent lights, faint air movement, the small sounds of paper shifting on a desk. It sounds like a real place recorded on location, not a studio.